Archived entries for Chicago

ChicAGO Members Recital

img_0065 The American Guild of OrganistsChicago Chapter, will feature an afternoon of multi cultural organ music at St. Mary of Perpetual Help Church in Chicago.

Recitalists Dr. Thomas Wikman (The Church of the Ascension), Minkyoo Shin (Lutheran Church of the Ascension), Dr. Zvonimir Nagy (St. Michael in Old Town Church), Dr. Carol Ann Ritter (Second Presbyterian Church)Dr. Ricardo Ramirez (Holy Name Cathedral), Dr. Carol Ann Ritter, and Minkyoo Shin will play the 1928 four-manual Austin Organ has 56 ranks including a seven-rank string organ and a harp stop. The organ has five ranks of pipes in the antiphonal section located behind the high altar. img_0066 Over the last several years, the organ has been cleaned and updated with new relays. In 1993, the old worn Austin console was replaced with an Aeolian-Skinner console. The organ was featured in both the recent National AGO Convention in Chicago and the National Organ Historical Society Convention.

In this concert, I will give a Chicago premiere of a work for pipe organ, Centone, composed in 1989 as a contribution in honor of the celebration of the order of Paulists in Croatia and the Paulist Hymnal (1644). The work calls for a very colorful organ palette whose surface projects the integration of precomposed thematic fragments, a compositional technique often referred to as centone (literally, “patchwork quilt”). The design of the work follows the shape of an antiphon, where two independent musical objects interact with one another, almost in a refrain-verse-refrain manner.

Marko Ruždjak (b. 1948) is a Croatian composer, currently on the music faculty at the Academy of Music, University of Zagreb. He is a composer whose highly specific compositional aesthetic gives him a special, distinguished place in Croatian contemporary music. Mr. Ruždjak describes the act of composition as akin to the gradual coming into sight and surfacing of individual islands in an archipelago. A work’s expressive charge is not the composer’s own decision, rather the logical result of attentively listening to the material’s expressive potential and of the very physiology of performance, the real limitations of voices and instruments. Mr. Ruždjak has written solo, chamber, choral, vocal-instrumental and orchestral works.

st-mary-churchMay 16, 2010 at 3 p.m. St. Mary of Perpetual Help Church, 1039 W. 32nd Street, Chicago, IL 60608

Old Town Organ Vespers

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The historic presence of St. Michael in Old Town Church in the Old Town neighborhood of Chicago has produced a number of memorable music events. It would suffice to mention the exquisite performances of Music of the Baroque, accompanied by the church’s captivating acoustics and heavenly architectural treasures.

However, beyond the beauty of this sacred space and its memories, within the confines of its tall columns and lofty vaulted ceilings, high in the second balcony, one finds a number of dormant pipes and ailing windchests and tubes concealed in the dusty organ chambers. The Kilgen Organ Company of St. Louis, MO completed this historic pipe organ in 1925, with some pipework dating from the end of the nineteenth century.

In order to raise awareness of the urgent need to repair this historic instrument, together with the Parish Staff and Pastor, Fr. Richard Thibodeau, I initiated a series of organ recitals this past Fall under the name of “Old Town Organ Vespers.” These seasonal events more or less accompany the calendar of the church’s year, last approximately an hour, and present a short, pre-concert lecture before the recital, and feature organ literature appropriate to the present condition of the instrument.

The recital on February 20 featured works for soprano and organ by Alain, Bach, Bingen, Dupré, and Steffani, most of which have been inspired by sacred subjects and events from Lent and Easter. It also included a premiere of my new work for an unaccompanied soprano, Læetare Vox, composed for the Chicago soprano and St. Michael’s cantor, Henriët Fourie, who premiered the piece. You can listen to the excerpts from the concert recording below.

H. von Bingen, O Rubor Sanguinis

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J. S. Bach,
Chorale Prelude O Sacred Head Now Wounded

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Aus Liebe WIll Mein Heiland Sterben, from ‘St. Matthew Passion’

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Ich folge dir gleichfalls from ‘St. John Passion’

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A. Steffani, Stabat Mater from ‘Stabat Mater’

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M. Dupré, Vexilla Regis from ‘Le Tombeau de Titelouze’, op. 38

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J. Alain, Choral
Z. Nagy, Læetare Vox (Chicago premiere)

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J. S. Bach, Toccata and Fugue in d minor

Zvonimir Nagy, organ
Henriët Fourie, soprano

February 20 at 7 pm with a pre-concert lecture at 6:45.
Admission to this event was by donation; all the proceeds will benefit the repair and restoration of the Kilgen pipe organ.

Thank you for your support our organ project!

Reveal

Reveal, the second movement from my new piano work “Concealments,” a collaboration with the artist Haley Nagy and based on her Concealment series, performed live at the Fused Muse Ensemble concert last December. Yes, it’s me hiding at the piano. Please send me your thoughts…



Copyright © 2010 Zvonimir Nagy. All rights reserved.

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