A submission entitled “Derivation of Pitch Constructs From the Principles of Tone Perception” has been accepted as a poster presentation at 12th International Conference on Music Perception and Cognition (ICMPC) and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). The conference is organized by the Department of Music Studies, [...]

I am very happy to announce that I have been appointed as Assistant Professor of Musicianship Studies at Duquesne University in Pittsburgh, PA. This Fall I will be joining a music faculty at Mary Pappert School of Music where I will be teaching a forward-looking music theory curriculum that integrates harmony, counterpoint, form, and analysis [...]

SUGGESTED LITERATURE

Cleland, K. D. and M. Dobrea-Grindahl, Developing Musicianship Through Aural Skills: A Holistic Approach to Sight Singing and Ear Training. New York: Taylor & Francis, 2010.
Philips, J. The Musician’s Guide to Aural Skills. W. W. Norton & Company, 2005.
Karpinski, G. S., Aural Skills Acquisition: The Development of Listening, Reading, and Performing Skills in College-Level [...]